The Biggest Loser star Michelle Bridges has helped thousands of people with her fitness program.
According to Beverly Hills-based plastic surgeon Dr. Randal Haworth, she may have undergone her own transformation.
‘It appears Michelle’s striking facial change came from an enthusiastic use of fillers and Botox. Unfortunately, the manner in which they were used tends to detract from her natural facial harmony rather than enhance it.’ said Dr. Haworth.
Dr. Haworth went on to describe the tell-tale signs of Michelle’s supposed cosmetic work.
‘Her eyebrows are a tad too elevated into a pointed arch similar to Captain Spock, which is most likely the result of Botox. Ironically, this shape can be softened with a further small shot of Botox above each arch. I have a small suspicion Botox was also injected in and around her chin because her smile in recent pictures seems somewhat restricted and stiff,’ he explained.
Dr. Haworth also described how Michelle appears to have used a filler such as Juvéderm to plump her lips and under-eye hollows.
‘In certain angles, the filler seems to have accentuated her long upper lip which is a sign of aging. A tell-tale sign that filler was used to treat under-eye hollows is bulging below her lower eyes next to the nose. I can see Michelle has those when she is smiling in recent photographs.’
They’re known for their natural beauty, but it’s no secret Bachelor contestants have turned to cosmetic surgeons in the past. It has been revealed that several women from the Bachelor Australia have invested in some ‘nip and tuck’ before the show.
Beverly Hills plastic surgeon Dr. Randal Haworth provided his thoughts on one of these contestants, Blair Thomas. Dr. Randal Haworth claimed it was quite obvious PE teacher Blair Thomas had undergone breast augmentation.
‘There is no disputing that Blair had her breasts enhanced, most likely with the help of a plastic surgeon. Her results make quite the statement and leave little to the imagination,’ Dr. Haworth observed. ‘The abrupt edge of her breasts as they transition from her chest wall indicate to me she had breast implants likely placed over her pectoralis major muscle,’ Dr. Haworth claimed.
‘Implants placed over the muscle are more likely to give this “bolt-on” appearance not normally seen in nature. However, when a patient has little body fat or breast tissue, implants placed under the muscle can occasionally give the same appearance.’
The Block winner Elyse Knowles has long been known for her stunning figure. Rumors have been circulating that she has surgically enhanced her physique, with whispers she has previously gone under the knife to increase her bust size. Beverly Hills plastic surgeon Dr. Haworth offered his thoughts on Elyse’s appearance. He explained there are several types of surgical breast implants, including ‘spotlight’, ‘rejuvenation’ and ‘balance’. Haworth is under the impression Elyse has undergone the latter procedure.
‘Balance’ breasts are designed to ‘fly under the radar’, so to speak, leaving little evidence of surgical change. According to Dr. Haworth, ‘balance’ breasts are supposed to ‘look, feel and behave naturally’ and, as such, this is the surgery most likely chosen by Elyse. ‘It is obvious to me that Elyse had this balanced type of breast augmentation which is natural and well proportioned with the rest of her body,’ Haworth claimed. ‘This was likely achieved with cohesive silicone gel implants placed under her pectoralis major muscle.’
Beverly Hills plastic surgeon Dr. Randal Haworth offers his expert opinion on whether Jennifer Hawkins has gone under the knife. She has been the subject of ongoing surgery speculation due to her changing appearance over the years. Dr. Haworth told Daily Mail Australia on Tuesday: ‘I often see pretty girls like Jennifer wanting to fine-tune their features to enter “supermodel” territory.’
Despite being a household name for 15 years, Jennifer does not appear to have aged a day and is arguably more beautiful now than she was in her early twenties. Dr. Haworth, who has not treated Jennifer himself, stated that the Australian model appears to have invested in some minor improvements to ‘improve facial balance as a whole’. In 2010, Jennifer attributed her drastic change in appearance to healthy eating, exercise and makeup during an interview with The Kyle and Jackie O Show.
While old photos of Jennifer reveal a noticeably thinner pout and fuller face, she has previously brushed off surgery speculation. Jennifer once told The Australian Women’s Weekly that it’s the nature of the fashion industry to be accused of undergoing cosmetic surgery. ‘When someone says “under the knife” I don’t have a reaction,’ she told the magazine.
In an interview with Daily Mail Australia, Dr. Haworth has offered his expert opinion on whether the Married At First Sight star has gone under the knife.
Beverly Hills Plastic Surgeon Dr. Haworth believes Ashley Irvin has had some subtle work done on her face and chest. She sparked rumors about a possible breast enlargement after putting on a busty display at the Logie Awards on Sunday.
‘The faint circular ridge bordering the upper portion of her breast strongly suggests the presence of a breast implant’ he said.
Dr. Haworth also believes that Ashley may have made changes to her face in recent years. Observing the ‘visual harmony’ between her lips and teeth, he suggested that Ashley may have invested in lip fillers or veneers.
Dr. Haworth concluded by saying the aforementioned procedures may not be Ashley’s ‘only foray into the world of plastic surgery’.
Plastic surgeon Randal Haworth, MD, is taking the next step in his career with the launch of a stylish, comprehensive aesthetic care facility.
Randal Haworth, MD, made a name for himself in aesthetics in the early 2000s when he joined Fox television’s reality show, “The Swan.” On the program, he was part of a team of plastic surgeons, stylists and makeup artists who dramatically transformed participants’ appearances, Earlier this year, he transformed his own Beverly Hills, California-based practice when he moved to a new, custom-designed facility that incorporates a full range of aesthetic services—from facials and nutritional services to fillers, lasers and surgical procedures.
Dr. Haworth’s design philosophy for the new Haworth Institute was nature meets high-tech.
“It’s a beautiful place, and all our services are under one roof—the surgical center, my clinic and our new noninvasive center, Self Centered Aesthetics,” says Dr. Haworth. “Patients always asked us, ‘What else can you do?’ ‘How do I maintain this?’ It just doesn’t make sense nowadays not to offer the full-range of aesthetic treatments.”
In addition to laser treatments and injectables performed by Dr. Haworth and his R.N., celebrity esthetician John Tew performs signature facials and naturopathic doctor Matea Polisoto, who goes by “Dr. Matea,” offers IV therapy and nutrition counseling. “Like John, she has a very big following in Beverly Hills and beyond,” says Dr. Haworth. “She is involved with IV therapy, which helps augment the pre- and postoperative surgical experience, and optimizes healing.
“The people working with me are just as important as the surgeon—it’s all about having a team,” he says.
The Frustrated Artist
Born in Los Angeles and educated in England, Dr. Haworth has a somewhat unusual background for a Beverly Hills plastic surgeon. “My dad was English and spent World War Il in London selling bootleg whiskey during the Blitzkrieg. My mother and her family lived in Holland during the German occupation,” he says.
Following the war, both of his parents immigrated to the United States seeking opportunities, of which there were few in post-war Europe. “They met, and I was born in Los Angeles. But my dad always wanted me to be in England eventually,” says Dr. Haworth.
When he was 9 years old, he and his parents drove to Central America and boarded a cargo ship to England. During his school years in London, Dr. Haworth became enamored with the arts. “l always drew—and I was very good at a young age. In University I joined band. I was really into the arts, and that’s what I wanted to pursue,” he says. “But my parents, being war babies, wanted a doctor in the family and I was their only child.”
During a road trip prior to his final year at the university, he shared his goals with his parents. “We were in a VW bus and they said, ‘We’ll disown you if you become an artist. Make your decision’—it was really bizarre,” he says. His mind flashed back to a BBC interview of Kurt Wagner, MD, he had seen when he was 13. “l said, ‘Then I’ll be a plastic surgeon,’ having no idea what was involved in that.”
He came back to the U.S. and enrolled in medical school at the University of Southern California. Following graduation, he completed a five-year general surgery residency at Cornell Medical Center in New York. Dr. Haworth made his way back to the West coast for his plastic surgery residency at the University of California, Los Angeles.
“After my residency, I had no money so I was anxious to go into practice. I thought, well then I have to goto Beverly Hills because that’s where successful plastic surgeons go,” he says.
Another surgeon offered to rent him a space in his clinic’s kitchen, which was housed in one of the most desirable medical buildings in Beverly Hills. “He had a little pocket door in front of the kitchen so I stayed in there,” says Dr. Haworth. “During my clinic days, I would take his diplomas off the walls in the two little exam rooms and put mine up, and that’s how it started.
“l look back fondly on those days now, but it was horrible at the time. If I had two surgeries in a month, it was a great month.
Finding His Niche
During his UCLA residency, Dr. Haworth won a plastic surgery research prize for his lip surgeries, which provided a unique niche with which to build his practice, More than 20 years later, he has patients from all over the world who travel to the Haworth Institute for their lip surgeries.
“You can be the best doctor in the world, but if you don’t have marketing, no one will know about you,” he says. “So I leveraged that award and started getting known for lips, even though my favorite surgeries are noses, mid- facelifts and what I call hyperaesthetic surgeries where we change everything. The lips are what I was known for, and now I get jazzed by that because there’s really no competi- tion in the world for these surgeries.”
He offers upper, lower and corner lip lifting procedures as well fat transfer and F.A.T.M.A. (fat transfer & mucosal advancement). “l do many types of lip lifts because it is shape before volume; there are many things that fillers alone cannot do,” he says.
Embracing and Investigating New Technologies
Despite the limitations of traditional filling techniques, Dr. Haworth has embraced dermal fillers as effective tools to perfect his patients’ lips. In some cases the new, less invasive procedures are even surpassing what he can achieve in the O.R.
“Our mouths get wider as we age and our lower teeth become visible,” he says. “People will often just fill the lower lip horizontally, which won’t help with these concerns.”
In his surgical center, he performs lower lip V-Y plasty procedures to narrow the mouth, lift the bottom lip and pout out the middle third of the lower lip. But, due to the minimal improvement, he recently became interested in the idea of using vertical filler injections to lift and shape the lower lip.
“About three months ago, I started injecting vertically into the lower lip. I place my long cannula or a long needle vertically from the bottom of the prejowl sulcus all the way to where I see the needle blanching on the vermillion on the back of the lower lip on the sides. Then I inject vertically as I pull the needle out,” he says. “l am seeing such dramatic elevation of not just the lower lip but the whole corner of the mouth—the marionette folds are dramatically reduced and the labiomental sulcus opens up.”
He is calling this the Caisson technique after Caisson beams in construction. “The patients are three months out now, and the results are far better than what we see with the lower V-Y plasty in hiding the lower teeth,” he says.
Dr. Haworth is investigating new ways to augment and lift lips using dermal fillers.
“l love doing surgery, but plastic surgery is in some ways a dying field,” he continues. “The future of plastic surgery lies in the lab, not the operating room. Eventually they are going to know how to stop senescence. In the meantime, the future of aesthetics is laying more and more in lasers and newer, better fillers, and I want to stay on the forefront of that.”
His biggest challenge is determining which new technologies and procedures live up to the hype—and resisting the urge to bring in every new device about which patients inquire. “Sixty to seventy percent of all new medical cosmetic technologies overpromise and under deliver,” he says. “First it’s a big ‘Wow!’ Then results are ‘operator-dependent,’ then it’s gathering dust, so I vet all these technologies and only offer the ones I believe are proven to work.
“What I want to offer my patients with the Haworth Institute and Self Centered Aesthetics is more than one-stop aesthetics, It’s the tools and knowledge to deliver the absolute best treatments for their individual concerns and lifestyles,” continues Dr. Haworth. “We have a turbocharged armamentarium of proven noninvasive treatments to carry on the philosophy that I espouse in my surgeries, which is really detailed aesthetic work.”
Recently, I was honored to be featured on the cover of the highly popular regarded trade magazine of the noninvasive aesthetic industry, MedEsthetics.
Here is the article. We at Self-Centered Aesthetics ™are super excited to be off to such a great, auspicious start. We are aiming to deliver the best, state of the art noninvasive treatment to all patients, under one roof with my philosophy of beauty.
Embracing Artistry
By Inga Hansen Photography by Cory Sorensen
Plastic surgeon Randal Haworth, MD, is taking the next step in his career with the launch of a stylish, comprehensive aesthetic care facility.
Randal Haworth, MD, made a name for himself in aesthetics in the early 2000s when he joined Fox television’s reality show, “The Swan.” On the program, he was part of a team of plastic surgeons, stylists and makeup artists who dramatically transformed participants’ appearances, Earlier this year, he transformed his own Beverly Hills, California-based practice when he moved to a new, custom-designed facility that incorporates a full range of aesthetic services—from facials and nutritional services to fillers, lasers and surgical procedures.
Dr. Haworth’s design philosophy for the new Haworth Institute was nature meets high-tech.
“It’s a beautiful place, and all our services are under one roof—the surgical center, my clinic and our new noninvasive center, Self Centered Aesthetics,” says Dr. Haworth. “Patients always asked us, ‘What else can you do?’ ‘How do I maintain this?’ It just doesn’t make sense nowadays not to offer the full-range of aesthetic treatments.”
In addition to laser treatments and injectables performed by Dr. Haworth and his R.N., celebrity esthetician John Tew performs signature facials and naturopathic doctor Matea Polisoto, who goes by “Dr. Matea,” offers IV therapy and nutrition counseling. “Like John, she has a very big following in Beverly Hills and beyond,” says Dr. Haworth. “She is involved with IV therapy, which helps augment the pre- and postoperative surgical experience, and optimizes healing.
“The people working with me are just as important as the surgeon—it’s all about having a team,” he says.
The Frustrated Artist
Born in Los Angeles and educated in England, Dr. Haworth has a somewhat unusual background for a Beverly Hills plastic surgeon. “My dad was English and spent World War Il in London selling bootleg whiskey during the Blitzkrieg. My mother and her family lived in Holland during the German occupation,” he says.
Following the war, both of his parents immigrated to the United States seeking opportunities, of which there were few in post-war Europe. “They met, and I was born in Los Angeles. But my dad always wanted me to be in England eventually,” says Dr. Haworth.
When he was 9 years old, he and his parents drove to Central America and boarded a cargo ship to England. During his school years in London, Dr. Haworth became enamored with the arts. “l always drew—and I was very good at a young age. In University I joined band. I was really into the arts, and that’s what I wanted to pursue,” he says. “But my parents, being war babies, wanted a doctor in the family and I was their only child.”
During a road trip prior to his final year at the university, he shared his goals with his parents. “We were in a VW bus and they said, ‘We’ll disown you if you become an artist. Make your decision’—it was really bizarre,” he says. His mind flashed back to a BBC interview of Kurt Wagner, MD, he had seen when he was 13. “l said, ‘Then I’ll be a plastic surgeon,’ having no idea what was involved in that.”
He came back to the U.S. and enrolled in medical school at the University of Southern California. Following graduation, he completed a five-year general surgery residency at Cornell Medical Center in New York. Dr. Haworth made his way back to the West coast for his plastic surgery residency at the University of California, Los Angeles.
“After my residency, I had no money so I was anxious to go into practice. I thought, well then I have to goto Beverly Hills because that’s where successful plastic surgeons go,” he says.
Another surgeon offered to rent him a space in his clinic’s kitchen, which was housed in one of the most desirable medical buildings in Beverly Hills. “He had a little pocket door in front of the kitchen so I stayed in there,” says Dr. Haworth. “During my clinic days, I would take his diplomas off the walls in the two little exam rooms and put mine up, and that’s how it started.
“l look back fondly on those days now, but it was horrible at the time. If I had two surgeries in a month, it was a
great month,” he says.
Finding His Niche
During his UCLA residency, Dr. Haworth won a plastic surgery research prize for his lip surgeries, which provided a unique niche with which to build his practice, More than 20 years later, he has patients from all over the world who travel to the Haworth Institute for their lip surgeries.
“You can be the best doctor in the world, but if you don’t have marketing, no one will know about you,” he says. “So I leveraged that award and started getting known for lips, even though my favorite surgeries are noses, mid- facelifts and what I call hyperaesthetic surgeries where we change everything. The lips are what I was known for, and now I get jazzed by that because there’s really no competi- tion in the world for these surgeries.”
He offers upper, lower and corner lip lifting procedures as well fat transfer and F.A.T.M.A. (fat transfer & mucosal advancement). “l do many types of lip lifts because it is shape before volume; there are many things that fillers alone cannot do,” he says.
Embracing and Investigating New TechnologiesDespite the limitations of traditional filling techniques, Dr. Haworth has embraced dermal fillers as effective tools to perfect his patients’ lips. In some cases the new, less invasive procedures are even surpassing what he can achieve in the O.R.”Our mouths get wider as we age and our lower teeth become visible,” he says. “People will often just fill the lower lip horizontally, which won’t help with these concerns.”In his surgical center, he performs lower lip V-Y plasty procedures to narrow the mouth, lift the bottom lip and pout out the middle third of the lower lip. But, due to the minimal improvement, he recently became interested in the idea of using vertical filler injections to lift and shape the lower lip.”About three months ago, I started injecting vertically into the lower lip. I place my long cannula or a long needle vertically from the bottom of the prejowl sulcus all the way to where I see the needle blanching on the vermillion on the back of the lower lip on the sides. Then I inject vertically as I pull the needle out,” he says. “l am seeing such dramatic elevation of not just the lower lip but the whole corner of the mouth—the marionette folds are dramatically reduced and the labiomental sulcus opens up.”He is calling this the Caisson technique after Caisson beams in construction. “The patients are three months out now, and the results are far better than what we see with the lower V-Y plasty in hiding the lower teeth,” he says.Dr. Haworth is investigating new ways to augment and lift lips using dermal fillers.”l love doing surgery, but plastic surgery is in some ways a dying field,” he continues. “The future of plastic surgery lies in the lab, not the operating room. Eventually they are going to know how to stop senescence. In the meantime, the future of aesthetics is laying more and more in lasers and newer, better fillers, and I want to stay on the forefront of that.”His biggest challenge is determining which new technologies and procedures live up to the hype—and resisting the urge to bring in every new device about which patients inquire. “Sixty to seventy percent of all new medical cosmetic technologies overpromise and under deliver,” he says. “First, it’s a big ‘Wow!’ Then results are ‘operator-dependent,’ then it’s gathering dust, so I vet all these technologies and only offer the ones I believe are proven to work.”What I want to offer my patients with the Haworth Institute and Self Centered Aesthetics is more than one-stop aesthetics, It’s the tools and knowledge to deliver the absolute best treatments for their individual concerns and lifestyles,” continues Dr. Haworth. “We have a turbocharged armamentarium of proven noninvasive treatments to carry on the philosophy that I espouse in my surgeries, which is really detailed aesthetic work.”
Dr. HAWORTH is interviewed by Gloria magazine about his life in being a top Beverly Hills plastic surgeon and catering to the aesthetic whims and desires of the rich and famous as well as his charity work. He has heard about Gloria magazine from his ex wife who was Serbian Actress Ana Alexander (Stojanovic).
Realizing
a
vision
in
stone
Swapping his scalpel for a chisel, Beverly Hills plastic
surgeon Dr. Randal Haworth MD was hands on in the design
and construction ofhis new ojj‘ice lobby, which included a
mammoth reception counter made from Carrara marble
by lenniter Richinelli
When designing his new office for his plastic surgery practice in Beverly llills, CA, Dr. Randal llaworth MD was
drawn to while marble In create the look he envisioned.
ntients visiting the office of
I)renowned plastic surgeon Dr.
Randal Haworth MD in Beverly
Hills, CA, will observe firsthand
the doctor’s flare for design. As the
former Chief Resident in Plastic and
Renonstructive Surgery at the UCLA
Medical Center and recipient of the
title of “Plastic Surgical Consultant
Of The Year for 1993-94,” I-laworth
excelled in science and medicine,
but always remained in touch with
his artistic side. As a result, it was no
surprise how intimately involved he
became in the design and construction
of his new office space, which features
an extensive amount of stone.
“My inspiration for the lobby was
simply the notion of lime,” explained
Randal. “Amongst the seemingly infi-
nite number of both inorganic and
66 August Z01? | Stone World
For the lobby walls, an alternating formation of both protruding and recessed multi-tiled pieces was individually assembled in
sections from a 1-are and now unavailable source of distressed unfinished 2- x 8-inch marble tile veneer.
organic ‘things’ on this planet, only
the human being can be affected
psychologically by the idea of time
passing. Of course, everything on
this planet, including those entities
we consider permanent, such as the
mountains, oceans and atmosphere,
physically change over time. However,
it is only the human who can be con-
sciously aifectecl by the concept of time
and consequently react to the present
and plan for the future.
“‘l‘he bmwn, white and gray
palette, including the dual-toned aqua
and cobalt blue sofa, reflects the basic
molecular foundation of Mother Earth
herself, while the repetitive pattern
formalired by the textured shone walls
represents what is ostensibly immuta-
ble and ‘forever/” Haworth went on to
say. “ln contradisfincfion to this is the
massive 18-foot-long marble reception
counter, which is transformed from
violent, yet beautiful chaos, into a tra-
ditionally refined smooth surface. As
a metaphor of how modern plastic sur-
gery can make unappealing forms into
beautiful ones, the sculptural transfor-
mation reminds us we can change how
we appear over time.”
The doctor explained how he has
always been attracted to all types
of stone construction since he was a
child attending the King’s School in
Canterbury, England, which he said
is purportedly the oldest school in
the world. “Many of the classrooms
and dorms were based within ancient
Gothic stone buildings surround-
ing the 1,400-year-old Canterbury
Cathedral, so for me, stone represented
stability, strength and wisdom. Stone is
far more than just a construction mate-
rial — within its austerity lies timeless
beauty,” he said.
The lobby walls consist of an alter-
nating formation of both protruding
and recessed multi-tiled pieces –
totaling 120 square feet “l had each tile
section individually assembled from
a rare and now unavailable source of
distressed unfinished 2- x B-inch mar-
ble tile veneer that came in old wood
crates from Italy,” said Haworth. “The
oombinal-ion of the particular
texture — along with the pattern and
manner in which it was assembled –
was chosen to maximize depth.”
The showpiece of the 240-square-
foot office lobby is the mammoth
reception desk made from two massive
slabs of Carrara marble. These were
divided into nine pieces in order to
complement the full 18-foot length of
the counter.
“The stone materials were chosen
from both an aesthetic and practical
standpoint,” explained Randal. “I was
looking for a white purity for the wall
themselves, while the slabs for the
reception counter were chosen for a
certain multi-variegated pattern, as
well as thickness. The thickness was
needed to accommodate both violent
carving and impart mass in the end.”
The stone was supplied by Empire
Marble in San Fernando Valley, CA.
The installation
When it came to the stone installa-
tion, Randal was intimately
with the 1-ton reception
“Indeed, I rolled up my
involved
counter.
sleeves to
carve and polish the structure and ulti-
mately camouflage its seams because,
it turned out, l was the only one who
knew what I envisioned,” he explained.
“l experimented with a number of
painterly techniques in order to visu-
ally unlfy the individual sections of
marble as one horizontal massive rock.
For the foundation, a pony wall was set
up as the main anchoring frame span-
ning frorn the left corner adjoining the
tiled wall to the right suspended hand-
icap accessible section.
Creating and anchoring the recep-
tion desk was a trial-and-error process,
explained l-laworth. “As experienced
and proficient as they were in their
craft, I realized my team was inad-
equately prepared for what I wanted
Stone World | August 2017 67
The Carrara marble slabs were
cut into nine pieces and then
assembled to create the mammoth
reception counter. ‘Work was then
dune ho smooth out the seams.
The main attraction of the office lobby is an 18 -toot-long reception counter made tram
two massive slabs of Carrara marble.
to create,” he said. “It was basically
my fault because my inexperience did
not allow me to realize theirs in han-
dling this one idiosyncratic aspect of
the total project. It was as much about
structural engineering as it was about
art. I realized that when you are utiliz-
ing others to translate your vision of
something that is unique and out of
their comfort zone, you must seek top
specialists in that particular medium
you want to work with. For example,
despite the innumerable conversations
and detailed drawings I provided to
the architect, project manager. engi-
neer and marble craftsman, the form of
the counter during construction began
to differ widely from what I was envi-
sioning. lt was fortunate that l arrived
after surgery just in time before the
glue and mortar dried so that I was
able to have the nine stone pieces repo-
sitioned to my
“ln a similar vein, the person l
commissioned to do the carving was
woefully oft course in terms of ele-
gantly decreasing the texture of the
marble from left to right to convey the
analogy from chaos to perfection,”
Haworth went on to say. “With dead-
lines rapidly looming, I realized that I
had to take matters in my own hands
to become quickly proficient with the
Makita saw, power sanding and the
plain old chisel and mallet until the
wee hours of the night.”
While there were some bumps in the
road during construction, Randal was
pleased with the final outcome. “Since
wehavernovedintoournew officeore
and half years ago, the subjective raw
emotional feelings as an artist during
the act of creation have now dissipat-
ed,” he said. “I am affected by it in in
a more objective way. lam amazed that
I created what I feel is a magical, mod-
ern yet spiritual space which brings
an element of strength and peace that
will not vanish with time. Marble since
CrecoRoman times has fascinated
humans, as evidenced in temples nest-
ing our desire of eternity. Design today
still wants to echo the perpetual against
nature’s backdrop. Yet, nature will
always be ahead of us in our creative
search which can only be successful
if we understand and respect nature
before we attempt to perfect it.” El
68 August 2017 I Stone World
So you had a nose job and you don’t like the result.
Now what are you going to do?
You can always do nothing and live with the result. That’s OK. That’s your decision.
You can go back to the original surgeon or to a new one (of course, one who is board certified by the American Board of Plastic Surgery).
This plastic surgeon may feel you’re a good candidate and give you two options: surgery (secondary or revision rhinoplasty) or non-surgery. In essence, the knife or the needle.
Before your meeting with the plastic surgeon, you may think your only option at this point is a revision rhinoplasty with its attendant cost and recovery. However, this plastic surgeon rhinoplasty expert whom you chose to get a secondary opinion with, surprised you with his honesty, suggesting an altogether different approach to your nagging problem. He offered you a solution that involves less recovery, costs a good deal less and fixes your main concern…
…and it doesn’t involve surgery.
Your new plastic surgeon offered to inject filler into your nose to camouflage the irregularities, smooth and even out your bridge and even give you more of a chic tip. From the front view, by strategically injecting the filler to alter the light reflex and control shadows your deviated nose can even be made to appear straight.
He/she offers you a temporary or permanent filler. The temporary ones can serve as a dress rehearsal, so to speak, if you are unsure as to whether this is a good idea or not. Temporary ones such as hyaluronic acid (e.g., Juvederm ®, Restylane ®, Voluma ®) or calcium hydroxyapatite (Radiesse ®)are good choices. Permanent ones such as Bellafill ®, Aquamid ® (not FDA approved) or fat transfer (a living transplant from your own body) are all excellent fillers in my opinion.
You decide to go for it but you must be counseled to have realistic expectations. Fillers definitely cost less and involve less recovery (a few days of swelling and perhaps minor bruising at worst).
However, the filler solution will:
1. Neither help breathing problems
2. Nor will they treat all forms of aesthetic deformities such as this:
So the next time you’re considering altering the shape of your nose with a rhinoplasty of some sort, you may ask your plastic surgeon (hopefully, board certified by the American Board of Plastic Surgery) about the filler option. Albeit, it cannot match the power of an actual surgical rhinoplasty, the non-surgical, filler rhinoplasty can be an excellent alternative to actual scalpel- based surgery in many select circumstances.
In these cases, the needle can be more powerful than the knife as one can see below: